Projects and research

The New Normal programme is designed similar to a 3-year think-tank structure. Research and design projects are not individual but rather collaborative endeavors specific to different modules or programme cycles. As such The New Normal is an ongoing effort: each year’s sequence will result in an annual body of work that will, in turn, form part of the three year cycle of distributed, collaborative research between the core faculty and the students.

The final projects emerge as new platforms for urban engagement and governance including applications, simulations, protocols; as worlds glimpsed by partial views and emergent totalities; as models for foresight, mapping, and reaction; as systems for sensing, differentiating, and archiving; and as territories for development, addition, subtraction and mobilization.

See below a selection of our ongoing research during the Year 1 and Year 2 of the programme.

Researchers

The programme convenes young professionals from Russia and abroad from a wide range of backgrounds — architects, programmers, interaction designers, game designers, artists, philosophers, filmmakers, novelists, economists, free-range computer scientists and others.

Photo of Alexander Geysman

Alexander Geysman

Engineer

Russia

Photo of Alexey Yansitov

Alexey Yansitov

Artist, 3D Animator

Russia

Photo of Ksenia Trofimova

Ksenia Trofimova

Architect

Russia

Photo of Mark Wilcox

Mark Wilcox

Strategist, Project Manager

New Zealand

Photo of Alyona Shapovalova

Alyona Shapovalova

Artist

Russia

Photo of Don Toromanoff

Don Toromanoff

Architect,Researcher

Sweden, Canada

Photo of Artem Nikitin

Artem Nikitin

Architect

Russia

Photo of George Papamattheakis

George Papamattheakis

Architect, Geographer

Greece

Photo of Eli Joteva

Eli Joteva

Artist

Bulgaria, USA

Photo of Evgenia Vanyukova

Evgenia Vanyukova

Lawyer, Project Manager

Russia

Photo of Anna-Luise Lorenz

Anna-Luise Lorenz

Graphic Designer

Germany

Photo of Antonia Burchard-Levine

Antonia Burchard-Levine

Urban Planner, Consultant

Chile, Spain, Canada

Photo of Hira Zuberi

Hira Zuberi

Architect, Lecturer

Pakistan

Photo of Igor Sladoljev

Igor Sladoljev

Architect, Urban Planner

Croatia

Photo of Olesia Kovalenko

Olesia Kovalenko

Architect, Project Manager

Ukraine

Photo of Olga Chernyakova

Olga Chernyakova

Architect

Russia

Photo of Maria Anaskina

Maria Anaskina

Designer, Art Director

Russia

Photo of Valdis Siliņš

Valdis Siliņš

Foresight Strategist

Canada

Photo of Nataliya Tyshkevich

Nataliya Tyshkevich

Philosopher

Russia

Photo of Grigory Chernomordik

Grigory Chernomordik

Computer Vision Engineer

Russia

Photo of Sofia Pia Belenky

Sofia Pia Belenky

Architect, Researcher

USA, Germany

Photo of Nashin Mahtani

Nashin Mahtani

Architect, Designer

Indonesia

Photo of Ricardo Saavedra

Ricardo Saavedra

Designer, Artist

Brazil

Photo of Nabi Agzamov

Nabi Agzamov

Architect, Urban Designer

Uzbekistan

Photo of Sveta Gorlatova

Sveta Gorlatova

Curator

Russia

Photo of Tony Yanick

Tony Yanick

Artist, Programmer, Philosopher

USA

Photo of Glep Papyshev

Glep Papyshev

Researcher, Consultant

Russia

Photo of Provides Ng

Provides Ng

Architect

Hong Kong

Photo of Mariia Fedorova

Mariia Fedorova

Architect, Artist

Russia

Public presentations

The objective of broadcasting the Institute’s work through various channels (publications, public presentations and events, project websites and exhibitions) is to add critical new perspectives and facilitate discussions. It is a way to explain what we do and engage with the public audience. Multidisciplinary teams present their projects which take several forms, from cinema to software to strategy, and range from imaginative speculations to practical propositions for intervention. These presentations are broadcasted and promoted online.

Final project reviews 2018

The second year of The New Normal focused on expert feedback and panel discussion about the final projects as initial provocations and proposals for larger ongoing initiatives and collaborations. The invited panel of reviewers at The New Normal 2018 Final Project Review included:

  • Benjamin Bratton, Programme Director and design theorist
  • Etienne Turpin, philosopher, writer and founder of anexact office
  • Anastassia Smirnova, writer, researcher and co-founder of SVESMI
  • Patricia Reed, artist, designer and writer
  • Ben Cerveny, designer and strategist
  • Jennifer Leung, architect and MIT faculty
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Showcase 2017

On July 3-4, 2017, Strelka Institute hosted a big Showcase event in Moscow, a two-evening presentation of the first year of research of our joint design think-tank. See the faculty presentations from the event (project presentations are available above alongside the project descriptions)

SHOWCASE PRESENTATIONS:

Cover of The New Normal Covfefe

The New Normal Covfefe

Benjamin Bratton

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Scale & System

Benjamin Bratton, Rem Koolhaas and Janna Bystrykh

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CITY EVERYWHERE

Liam Young

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Metabolizing complexity

Ben Cerveny

Cover of Medium design

Medium design

Keller Easterling

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THEY ARE BUSHY, THEY ARE DARK, AND THEY ARE CLUMPS

Julieta Aranda

Cover of Strelka students about Strelka (summer 2018)

Strelka students about Strelka (summer 2018)

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Programme essays

This is a new series by Strelka Press, one that parallels the Institute’s 2017-2019 programme. The first essays in the series will be written by the Core Faculty of the programme - Benjamin Bratton, Keller Easterling, Daniel van der Velden and Vinca Kruk (Metahaven), Liam Young and Lev Manovich and will be released throughout the year of 2017. Further essays written by invited faculty and experts are to follow in the next two years.

The first essay (Benjamin Bratton: The New Normal) is part manifesto and part syllabus. “It lays out why we would undertake an urban design program with such a strong emphasis on emerging technologies and speculative philosophy; or conversely, why we would convene a think-tank on emerging technology and speculative philosophy that takes urbanism — Russian urbanism, in particular — as its assignment.”

The second essay (Keller Easterling: Medium Design) is a provocation to invert some of our habitual approaches to problem solving, aesthetics and politics with regards to spatial practice. Rather than favoring declarations, right answers, objects or determinations, contemporary designers should learn to detect and manipulate the medium in which they are suspended and in which they change over time. To design medium is to manage the potentials and relationships between objects, the activity immanent in their organization... In other words, the disposition which makes some things possible and some things not.

Digital Tarkovsky essay by Metahaven is an extended poetic exploration of how our experiences of visual entertainment and time itself are changing in the era of the smartphone and near-constant connection. The essay applies the ‘slow’ cinematic art of Andrei Tarkovsky to our interaction with the digital, visual reality of screens and interfaces. Digital Tarkovsky is a way of tracing what cinema, storytelling and time mean in our platform-based world.

In the essay “A.I.Aesthetics”, Lev Manovich offers a systematic framework to help us think about cultural uses of AI today and in the future. He challenges existing ideas and gives us new concepts for understanding media, design, and aesthetics in the AI era.